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Artistic Resume


Elisa Diehl (Artistic Résumé)

 E-mail: dokodemoelisa@gmail.com

PHYSICAL CHARACTERISTICS:

Age Range: 18-50 (flexible)   Height: 5′ 9.5”   Weight: 145   Eyes: gray-green   Hair: blond

 

ON STAGE:

Be Tobacco Free

Seismic Sue

Mad Science Houston

Heroes of Science

Seismic Sue

Mad Science Houston

Fire and Ice

Seismic Sue

Mad Science Houston

Animals.  Science.  Who Knew?

Seismic Sue

CHOMP! Johnson Space Center

Spin, Fizz, Boom!

Seismic Sue

Mad Science Houston

Bullets for Broadway

Mimi Sheraton

Eklektix Theatre Company

Up, Up and Away

Seismic Sue

Mad Science Houston

Recital Navideño (Flamenco)

Adult Ensemble

UNM Rodey Theatre

Little Red Riding Hood

Wolf

*Earle Ernst Lab

The Vengeful Sword

Takao/Jirosuke

*Kennedy Theatre

“Night of Asian Theatre”

Head Hawker (Kabuki)

AAP Conference 2011

Hamlet

Osric/Gentleman/Silhouette Violinist

Kennedy Theatre

JARP

Actor

Earle Ernst Lab “Black Box”

Where Humanity Lies

Student 2

Earle Ernst Lab

I Have Space Issues, So Back Off My Starship (a New Musical)

AIMI

Earle Ernst Lab “Late Night”

The White Snake

White Snake/Divine Warrior

Kennedy Theatre

Statuesque

Tourist

Earle Ernst Lab “Black Box”

Wiley and the Hairy Man

Chorus IV/Violinist

Earle Ernst Lab “Late Night”

Sumida River

Ji/Koken

Kennedy Theatre

Miracle on 34th Street

Miss Adams

Albuquerque Little Theatre

Akuzukin-Chan the Musical

Storyteller/Red Riding Hood

OES Japan

Kiss Me Kate

Ralph

*Chapman Theatre

Weird Romance (The Girl Who Was Plugged In)

P. Burke

*Theatre II

Songs for a New World

Company

Theatre II

Lives of the Great Waitresses

Tammy Sue

Theatre II

The Vagina Monologues (X2)

Company

Chapman Theatre

Thumbelina

Widow Toad

Spotlight Theatre

A Richard Rogers Revue

Company

Theatre II

100 Years of Broadway in 35 Minutes

Fanny Pearl

Theatre II

A Tender Offer

Lisa

Chapman Theatre

Eat Your Heart Out

Doris/Company

The Strolling Players

Menace at the Mine

Alice

The Engine House Theater

The Interview

The Politician

UNM Theatre-X

The Lucky Lady or Charity Begins at Home

Fanny Fleur

The Engine House Theater

Kitty Hawk or The Wright Brothers Were Right

Lovie Knight

The Engine House Theater

Cinderella: Everybody Needs a Fairy Godmother

Fairy

The KiMo Theatre

 

RADIO:

FM Taro (Gunma, Japan) OES monthly audio commercials from October 2007 – May 2008

PUPPET MANIPULATION:

Wayang Kulit Scene

Petruk/Gareng

Kennedy Theatre Substage (MD)

Deus Ex Machina (withWayang Golek elements)

Dionysis’ Arms

Earle Ernst Lab

DIRECTING, DESIGN & TECHNICAL:

Rashomon

Choreographer and Japanese Movement Director

Powell Arena Theatre

Spamalot

Music Director

Slocomb Auditorium

A Funny Thing Happened on the Way to the Forum

Music Director

Slocomb Auditorium

Santa’s Christmas Magic         (2014&2015)

Music Director (x2)

Powell Arena Theatre

Little Shop of Horrors

Music Director

Slocomb Auditorium

Young Frankenstein the Musical

Music Director

Slocomb Auditorium

Black Box Black Blocks 2011

Producer/Artistic Director

Earle Ernst Lab

The Vengeful Sword

Chirashi Design/Percussion Ensemble

Kennedy Theatre

Hamlet

Composer (Original Score)/Violinist

Kennedy Theatre

Kathakali Performance: Ravana (Ravanodbhavam)

Sound Board Operator

Earle Ernst Lab

The Story of a Fly

Director/Costume and Wig Design and Construction

Earle Ernst Lab “Black Box”

Black Box Black Blocks 2010

Producer/Artistic Director/    Stage Manager

Earle Ernst Lab

An Evening of German Cabaret Songs with Robyn Archer and Michael Morley

House Manager

Orvis Auditorium

I Have Space Issues

Wig Design and Construction

Earle Ernst Lab “Late Night”

Three Tall Women (Act II)

Director

Earle Ernst Lab “680 One Acts”

2010 680 One Acts

Lighting Design/Light Board Operator

Earle Ernst Lab

The White Snake

Makeup Crew

Kennedy Theatre

Chaotic Therapy

Director

Earle Ernst Lab “Black Box”

Black Box Black Blocks 2009

Creator/Producer/Artistic Director

Earle Ernst Lab

Sumida River

Curtain Koken

Kennedy Theatre

Akazukin-chan the Musical

Director

OES Japan

Kiss Me Kate

Set Construction/Prop Construction/Costume Runner

Chapman Theatre

A Midsummer Night’s Dream

Costume Crew/Makeup Crew

Chapman Theatre

The Fantasticks

Prop Assembly/Crew

Chapman Theatre

Honk

Spotlight Operator

Chapman Theatre

Creative Development

         Director/Set Design/           Sound Board Operator

Theatre II

World Apocalypse

Director/Stage Manager

Theatre II

Crimes of the Heart

Crew (Various)

Chapman Theatre

Bigger isn’t Better Musical Revue

Spotlight Operator

Chapman Theatre

In the Night

Running Crew

Theatre II

Ore Wa Omocha (an audio play)

Director

Dove Casettes

The Nina, the Pinta, and the Caesar Romero

Costume Design/Assembly

Eldorado High School

Note: Elisa worked on a volunteer basis in the box office of Kendal Hall (at the University of Tulsa) from 2001-2005, she has ushered for more than 20 productions, and she was a member of the University of Hawaii Late Night Theatre Board from 2009-2011.

*Chapman Theatre and Theatre II are University of Tulsa venues.  Kennedy Theatre and Earle Ernst Lab are University of Hawaii at Manoa venues.

TRAINING:

MFA Theatre (Performance, Asian)

2011

University of Hawaii at Manoa

BA Musical Theatre

2005

University of Tulsa

Theatre-Focus Study Abroad

2004

Goldsmiths University of London

-Gagaku (Ryuteki and Komabue Flutes and Bugaku Dance)- Hawaii Gagaku Society (2009-2011)

-Intensive Kabuki training with Onoe Kikunobu (movement) and Kashiwa Senjiro (music) (2010-2011)

-Intensive Jingju (“Beijing Opera”) training with Dr. Elizabeth Wichmann-Walczak and masters Lu Genzhang and Zhang Ling (2009-2010)

-Intensive Noh (Kita School) training with Richard Emmeret and Akira Matsui (2009)

Kyōgen Demonstration and Mini-Workshop in Tatebayashi Bunka-Kaikan (2007)

-Advanced Shakespeare Workshop with Tim Blake Nelson (2005)

Stanislavski, Linklater, Meisner, Hagen, and Acting for Film Courses: University of Tulsa (2001-2005)

Voice: Sallyanne Bachman (2000-2001), Paul Mabry (2001-2002), Emily Truckenbrod (2002-2005)

Dance:  Ballet- Gale Gregory Algeo (2001-2002)   Jazz/Modern/Tap- Becky Eagleton (2001-2004)

Japanese Dance- Onoe Kikunobu (2009-2011), Flamenco Dance- National Institute of Flamenco

(2011), Basic Ballroom and East-Indian Dance: TU Fitness Center (2003-2004)

Violin: Gilbert Lenert (1999-2001)

-UNM Department of Theater and Dance Summer Theater Academy (1999)

PLAYWRIGHTING CREDITS:

Akazukin-Chan the Musical (December 2007, produced by OES Japan)

The Bare Truth (July 2009, directed by Jenn Thomas as part of the Black Box Black Blocks festival at Kennedy Theatre)

SPECIAL SKILLS:

Conversational German, Fluent Japanese, Tae-Kwon-Do (Black Belt), Violin, Cello,

Ryuteki/Komabue (Japanese Flutes), Softball, Scuba (Certified), Fencing (Epee and Foil)

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