Artistic Resume
Elisa Diehl (Artistic Résumé)
Member of the Albuquerque Theatre Guild
E-mail: dokodemoelisa@gmail.com
PHYSICAL CHARACTERISTICS:
Age Range: 18-50 (flexible) Height: 5′ 9.5” Weight: 145 Eyes: gray-green Hair: blond
ON STAGE:
| Little Red Riding Hood |
Wolf |
|
| The Vengeful Sword |
Takao/Jirosuke |
|
| “Night of Asian Theatre” |
Head Hawker (Kabuki) |
AAP Conference 2011 |
| Hamlet |
Osric/Gentleman/ Silhouette Violinist |
Kennedy Theatre |
| JARP |
Actor |
|
| Where Humanity Lies |
Student 2 |
Earle Ernst Lab |
| I Have Space Issues, So Back Off My Starship (a New Musical) |
AIMI |
Earle Ernst Lab “Late Night” |
| The White Snake |
White Snake/Divine Warrior |
Kennedy Theatre |
| Statuesque |
Tourist |
Earle Ernst Lab “Black Box” |
| Wiley and the Hairy Man |
Chorus IV/Violinist |
|
| Sumida River |
Ji/Koken |
Kennedy Theatre |
| Miracle on 34th Street |
Miss Adams |
|
| Akuzukin-Chan the Musical |
Storyteller/Red Riding Hood |
OES Japan |
| Kiss Me Kate |
Ralph |
|
| Weird Romance (The Girl Who Was Plugged In) |
P. Burke |
|
| Songs for a New World |
Company |
Theatre II |
| Lives of the Great Waitresses |
Tammy Sue |
Theatre II |
| The Vagina Monologues (X2) |
Company |
Chapman Theatre |
| Thumbelina |
Widow Toad |
|
| A Richard Rogers Revue |
Company |
Theatre II |
| 100 Years of Broadway in 35 Minutes |
Fanny Pearl |
Theatre II |
| A Tender Offer |
Lisa |
Chapman Theatre |
| Eat Your Heart Out |
Doris/Company |
The Strolling Players |
| Menace at the Mine |
Alice |
The Engine House Theater |
| The Interview |
The Politician |
|
| The Lucky Lady or Charity Begins at Home |
Fanny Fleur |
The Engine House Theater |
| Kitty Hawk or The Wright Brothers Were Right |
Lovie Knight |
The Engine House Theater |
| Cinderella: Everybody Needs a Fairy Godmother |
Fairy |
RADIO:
FM Taro (Gunma, Japan) OES monthly audio commercials from October 2007 – May 2008
PUPPET MANIPULATION:
| Wayang Kulit Scene |
Petruk/Gareng |
Kennedy Theatre Substage (MD) |
| Deus Ex Machina (withWayang Golek elements) |
Dionysis’ Arms |
Earle Ernst Lab |
TECHNICAL, DESIGN & DIRECTING:
| Black Box Black Blocks 2011 |
Producer/Artistic Director |
|
| The Vengeful Sword |
Chirashi Design/Percussion Ensemble |
|
| Hamlet |
Composer (Original Score)/Violinist |
Kennedy Theatre |
| Kathakali Performance: Ravana (Ravanodbhavam) |
Sound Board Operator |
Earle Ernst Lab |
| The Story of a Fly |
Director/Costume and Wig Design and Construction |
Earle Ernst Lab “Black Box” |
| Black Box Black Blocks 2010 |
Producer/Artistic Director/ Stage Manager |
Earle Ernst Lab |
| I Have Space Issues |
Wig Design and Construction |
Earle Ernst Lab “Late Night” |
| Three Tall Women (Act II) |
Director |
Earle Ernst Lab “680 One Acts” |
| 2010 680 One Acts |
Lighting Design/Light Board Operator |
Earle Ernst Lab |
| The White Snake |
Makeup Crew |
Kennedy Theatre |
| Chaotic Therapy |
Director |
Earle Ernst Lab “Black Box” |
| Black Box Black Blocks 2009 |
Creator/Producer/Artistic Director |
Earle Ernst Lab |
| Sumida River |
Curtain Koken |
Kennedy Theatre |
| Akazukin-chan the Musical |
Director |
OES Japan |
| Kiss Me Kate |
Set Construction/Prop Construction/Costume Runner |
|
| A Midsummer Night’s Dream |
Costume Crew/Makeup Crew |
Chapman Theatre |
| The Fantasticks |
Prop Assembly/Crew |
Chapman Theatre |
| Honk |
Spotlight Operator |
Chapman Theatre |
| Creative Development |
Director/Set Design/ Sound Board Operator |
|
| World Apocalypse |
Director/Stage Manager |
Theatre II |
| Crimes of the Heart |
Crew (Various) |
Chapman Theatre |
| Bigger isn’t Better Musical Revue |
Spotlight Operator |
Chapman Theatre |
| In the Night |
Running Crew |
Theatre II |
| Ore Wa Omocha (an audio play) |
Director |
Dove Casettes |
| The Nina, the Pinta, and the Caesar Romero |
Costume Design/Assembly |
Eldorado High School |
Note: Elisa worked on a volunteer basis in the box office of Kendal Hall (at the University of Tulsa) from 2001-2005, she has ushered for more than 20 productions, and she was a member of the University of Hawaii Late Night Theatre Board from 2009-2011.
*Chapman Theatre and Theatre II are University of Tulsa venues. Kennedy Theatre and Earle Ernst Lab are University of Hawaii at Manoa venues.
TRAINING:
| MFA Asian Performance |
(May 14, 2011) |
University of Hawaii at Manoa |
| BA Musical Theatre |
2005 |
University of Tulsa |
| Theatre-Focus Study Abroad |
2004 |
Goldsmiths University of London |
Gagaku (Ryuteki and Komabue Flutes and Bugaku Dance)- Hawaii Gagaku Society (2009-2011)
Intensive Kabuki training with Onoe Kikunobu (movement) and Kashiwa Senjiro (music) (2010-2011)
Intensive Jingju (“Beijing Opera”) training with Dr. Elizabeth Wichmann-Walczak and masters Lu Genzhang and Zhang Ling (2009-2010)
Intensive Noh (Kita School) training with Richard Emmeret and Akira Matsui (2009)
Kyōgen Demonstration and Mini-Workshop in Tatebayashi Bunka-Kaikan (2007)
Advanced Shakespeare Workshop with Tim Blake Nelson (2005)
Acting for Film Courses: University of Tulsa (2004)
Voice: Sallyanne Bachman (2000-2001), Paul Mabry (2001-2002), Emily Truckenbrod (2002-2005)
Dance: Ballet- Gale Gregory Algeo (2001-2002) Jazz/Modern/Tap- Becky Eagleton (2001-2004) Japanese Dance- Onoe Kikunobu Basic Ballroom and East-Indian Dance: TU Fitness Center (2003-2004), Flamenco: National Institute of Flamenco (Current)
Violin: Gilbert Lenert (1999-2001)
UNM Department of Theater and Dance Summer Theater Academy (1999)
PLAYWRIGHTING CREDITS:
Akazukin-Chan the Musical (December 2007, produced by OES Japan)
The Bare Truth (July 2009, directed by Jenn Thomas as part of the Black Box Black Blocks festival at Kennedy Theatre)
SPECIAL SKILLS:
Conversational German, Fluent Japanese, Tae-Kwon-Do (Black Belt), Violin, Cello,
Ryuteki/Komabue (Japanese Flutes), Softball, Scuba (Certified), Fencing (Epee and Foil)
